Your Custom Text Here

AFRAM, African-America, is an inner space reality for Black exponential potential of Being. In AFRAM, Black people can dream. We can wake up. We can build. Black people can be Black and Indigenous at the same time.  We can be alone. We can be angry. We can be Trans. We can be lazy. We can trust. We can be uncertain. We can be innocent. We can be mediocre. We can be evil. We can be bored. We can transform. We can BE. 

I begin exploring the concept and reality of AFRAM while in residence at A Farther Place, Ballroom Marfa’s sound residency during Covid-19 shutdown. Since then, I have created many studies and artworks centered on AFRAM. D.R.E.A.M. = A WAY TO AFRAM is the one of these ideas.

D.R.E.A.M. = A WAY TO AFRAM (DIFFRACTION + RESTORATION + ELECTROMAGNETIC ANALOGUE OF MASS = A WAY TO AFRAM) is a formulaic method of representing the expansion of the universe to reveal safe spaces for all black beings to be in their bodies. Consider two dream spheres colliding: black people resting in peace, merging with the sounds of the Earth's dreams.

Using sound, video, soft sculptures, and elements of performance, Harris engages in AFRAMATIC actions and revival technologies to share how compositional theory D.R.E.A.M. = A WAY TO AFRAM can be used as a direct pathway to liberation. This D.R.E.A.M. formula explores how sound can awaken dormant potentials in our DNA. Participants are invited to slow down and rest in a bed of sonic rejuvenation.

D.R.E.A.M. = A WAY TO AFRAM is about imagineering various technologies and applied sciences to continue the ancestral practice of creating safe places for black people to exist abundantly on this planet and beyond. Similar to the ways in which black inventors created spirituals, blues, trance, and house music to transport to different dimensions as a means of joy and survival, D.R.E.A.M. = A WAY TO AFRAM investigates the alchemical compounds of wave patterns, abstract movement, rhythm, and dream sounding to activate a network of portals around the world.


Marfa Dream Palette, Etude 2021

 

D.R.E.A.M. = A Way to Afram features visual collaboration with interdisciplinary artist, Alisha B. Wormsley, developed through a series of site-specific performance activations filmed between 2021 and 2023.


This is Performance # 2 of D.R.E.A.M. = A WAY TO AFRAM, an immersive performance-installation & research lab developed by Li(sa E.) Harris (Houston) in collaboration with Alisha B. Wormsley (Pittsburgh) presented by Diverse Works  on  Friday, September 9, 2023 in MATCHBOX 3 at Midtown Arts and Theater Center, 3400 Main Street, Houston, TX, 77002. 

The project features visual collaboration with interdisciplinary artist, Alisha B. Wormsley, developed through a series of site-specific performance activations filmed between 2021 and 2023. For this Houston premiere of D.R.E.A.M. = A WAY TO AFRAM, Harris and Wormsley's film In Process, was projected on three walls of the venue as a prologue to the live theatrical iteration of this work featuring a multi- disciplinary cast. 


Performers in order of appearance:

Lisa E.Harris

Alisha B. Wormsley

Joy Guidry

Abijan Johnson

The Houston Boys Choir

Sita Michelle Coltrane (*performing Journey in Sanchitananda by Alice Coltrane Turiya Sangitananda)

Jordan Brown aka Mr. Hotspot (*performing original compositions)

Ronald Jones, videography

Set Design/Installation by Lisa E.Harris

Lighting Design by Lisa E. Harris

Composition by Lisa E. Harris *except where indicated.


This project is supported in part by The Guggenheim Foundation, The ArtLab at Harvard University, and the National Performance Network.


Li(sa E.) Harris and Burniss Earl Travis II perform D.R.E.A.M. = A Way to Afram, in "Sleep on It," 2023

video by Tamirah Collins

visual art installation "Sleep On It", a part of Unlit: Sof Landin, a solo exhibition by Li(sa E.) Harris at Ballroom Marfa.

Sarah Melendez, curator.